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Highway 18 between Mission and Okreek, South Dakota, is a stretch of no more than eighteen miles, but late at night or in a blizzard it seems endless. "It feels like being somewhere between South Dakota and 'there,'" says Simon Ortiz, "perhaps at the farthest reaches of the galaxy."
Acoma Pueblo poet Ortiz spent a winter in South Dakota, teaching at Sinte Gleska College on the Rosebud Lakota Sioux Reservation. The bitter cold and driving snow of a prairie winter were a reality commanding his attention through its absolute challenge to survival and the meaning of survival.
Ortiz's way of dealing with the hard elements of winter was to write After and Before the Lightning, prose and verse poems that were his response to that long season between the thunderstorms of autumn and spring. "I needed a map of where I was and what I was doing in the cosmos," he writes. In these poems, which he regards as a book-length poetic work, he charts the vast spaces of prairie and time that often seem indistinguishable. As he faces the reality of winter on the South Dakota reservation, he also confronts the harsh political reality for its Native community and culture and for Indian people everywhere.
"Writing this poetry reconnected me to the wonder and awe of life," Ortiz states emphatically. Readers will feel the reality of that wonder and awe—and the cold of that South Dakota winter—through the gentle ferocity of his words.
- Sales Rank: #2038548 in Books
- Brand: Brand: University of Arizona Press
- Published on: 1994-07-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, .51 pounds
- Binding: Paperback
- 127 pages
- Used Book in Good Condition
From Publishers Weekly
The newest volume in Arizona's Sun Tracks series of American Indian literature is a collection of poems and prose pieces by Acoma Indian poet Ortiz (Woven Stone). The book was written during a long South Dakota winter spent on the Rosebud Sioux Indian Reservation. Ortiz comments on this often harsh encounter with nature in pieces that alternately reach for the ineffable and record the mundane. He notes in his preface, "I felt like I was putting together a map of where I was in the cosmos." Like the weather, his words can be cool and crisp. There is a tendency to pass into coldness and abstraction, though a physical detail can surface as equally compelling (or more so). The key to Ortiz's work is the idea of process, which unites the worlds of thought and nature-the one a sequence of ideas, the other a series of moments. Process also accounts for his obsession with time, the link between "lightyears" and "prairie": "These eons and vastness make sense./ Lightyears and prairie cosmos know."
Copyright 1994 Reed Business Information, Inc.
From Booklist
Written in journal format complete with dates, Ortiz's new collection takes the reader through a South Dakota winter, starting in mid-November when the snow is just beginning to fall and finishing in late March after a long season spent shivering. Ortiz is marvelously adept at capturing the moody stages of cabin fever, wonder for the endurance of the land, and the quiet humility of a semiforeign culture. Written while he lived on the Rosebud Sioux Indian Reservation, the book chronicles both nature and the resilience of the Lakota people. Although you might think the constant weather references would become tedious, they instead establish a soothing rhythm during a season when the weather is not merely unforgettable but potentially deadly. Ortiz provides a fascinating glimpse into a world of frozen laundry, prairie gumbo, and blue dawns, and although he admits the time recorded may have contained the darkest moments of his life, this collection frequently shines. Elizabeth Gunderson
Review
"The book contains works of the everyday, the ordinary experiences . . . but it also contains poems of the extraordinary, the sublime, those moments of heightened awareness in which we know why we say yes to the private journeys we take through our various geographies. . . . A spiritual adventure." —Western American Literature
"A significant contribution to our literature in general." —World Literature Today
"Ortiz is marvelously adept at capturing the moody stages of cabin fever, wonder for the endurance of the land, and the quiet humility of a semi-foreign culture." —Booklist
"The poetry of Simon Ortiz is wind, rain, light, and desert. He reminds us what we have lost, what we love, and what we must recover to see the world whole, even holy."
—Terry Tempest Williams
"A masterpiece, a symphony composed of poems of celebration and prayers for survival in America's prairie winter of the soul." —Leslie Marmon Silko
Most helpful customer reviews
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Four Stars
By apmxtd
great book
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