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When Tilling Green is plagued by a series of poison pen letters and a mysterious suicide, Miss Silver goes undercover and determines that a vicious killer is at work and is out to make her the next victim. Reprint.
- Sales Rank: #9038714 in Books
- Brand: Brand: G K Hall n Co
- Published on: 1991-05
- Format: Large Print
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 6.50" w x .75" l,
- Binding: Paperback
- 318 pages
- Used Book in Good Condition
About the Author
Patricia Wentworth (1878–1961) was one of the masters of classic English mystery writing. Born in India as Dora Amy Elles, she began writing after the death of her first husband, publishing her first novel in 1910. In the 1920s, she introduced the character who would make her famous: Miss Maud Silver, the former governess whose stout figure, fondness for Tennyson, and passion for knitting served to disguise a keen intellect. Along with Agatha Christie’s Miss Marple, Miss Silver is the definitive embodiment of the English style of cozy mysteries.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Different crime, same framework
By Paper or Kindle
In the 28th Miss Silver mystery (of 32), the only noticeable difference is the original crime. I am reading the books in order, except for the second, and poison pen letters haven't featured in any of them. The bare bones of this novel, as in all of them, is a country house in a small town, lots of people with secrets, at least one young couple with their happy-ever-after requiring some work, and Miss Maud Silver, a retired governess who hasn't aged since 1928 when the series began (this book was written in 1955). A lot of the plot devices have been recycled, though the author does her best to give them differences. A frail child, a second marriage, an unwilling bride-to-be, various people living off the largesse of an heir or heiress, a deranged villain, gossiping villagers and household help, a disappearance and sudden reappearance...all of these have featured in any number of other books in the series. The writing style is cozy mid-century, clean enough for readers of any age, completely lacking in technology, and defaulting to old-fashioned virtues. By now, I'm able to tell who the villain is from the beginning, but it doesn't spoil my enjoyment of the tales. This isn't the best of the series, but it isn't bad. The author was winding down her career at this point. There are only four more books in the series, which ended in the year of her death, 1961. If you've never read a Miss Silver mystery, I'd recommend "Vanishing Point" as a starting point.
4 of 5 people found the following review helpful.
Anonymous letters lead to suicide - or is it murder?
By Michele L. Worley
Maud Silver is in this case from the beginning, rather than coming aboard after consultation with a client. Frank Abbott, one of her Scotland Yard admirers, has just returned from a holiday in Ledshire - and thanks to his legion of cousins scattered about the country, he *never* stays in a hotel. In the little town of Tilling Green, he stayed with a *very* distant widowed cousin, Joyce Rodney. Joyce's son David is a 'delicate' little boy, so rather than taking a regular job, she signed on as an underpaid live-in help to the Wayne sisters. Irene Wayne, the surviving sister, is a twittery spinster; it's never explained how Miss Renie survived the visit of a Man.
The ever-cynical Frank, whose formidable defences include an irreverent sense of humor, is worried about Joyce; she's been receiving anonymous letters - poison-pen letters. "She is one of those pleasant girls - nice to look at without being a beauty, intelligent without being a brain. In fact there are no extremes - nothing to rouse up the sort of enmity which the letters suggest."
His professional description of Tilling Green for 'Maudie' focuses on the Manor. Colonel Roger Repton inherited the land but not the money. His great folly was in marrying the decorative Scilla - it's generally thought that she didn't realize that his ward Valentine, not Roger himself, has the money, which he'll lose when Valentine marries. Joyce says that Valentine's heart isn't in marrying Gilbert Earle; she loved the vicar's nephew, but Jason went off into the blue without a word. Repton's spinster sister runs the Manor, since Scilla won't lift a finger.
Frank's armor cracks, however, when news of an inquest at Tilling Green hits the papers; he'd met Doris Pell in the Wayne house, and rather liked the young dressmaker. The inquest brings in a verdict of suicide after receiving a poison pen letter, although the allegations of immorality appear to have been false (and were too vague for an all-is-discovered suicide anyhow). Maud takes the case, worming her way into the Wayne household as a paying guest so as not to telegraph her true profession to her quarry. (Abbott doesn't receive further play in this story, save at its conclusion; since it's a Ledshire case, Maud's favorite former pupil, Chief Constable Randall March, is involved.)
Superficially, this case has several similarities with THE WATERSPLASH, but they fall into perspective on closer examination. The first death in each case involves someone drowned in very shallow water - but the 2nd and 3rd deaths in THE WATERSPLASH are also drownings, while those in this book are due to poison, and here the possibility of suicide in each death is taken more seriously than in THE WATERSPLASH. In both stories, the male love interest left town with no explanation a few years ago, only to return abruptly just lately without public explanation but privately with sterling reasons (but in THE WATERSPLASH the girl was too young to be taken seriously, whereas here they'd had an understanding since childhood). However, in THE WATERSPLASH, the male love interest is a suspect, while here neither is. Finally, in both cases, Maud Silver has a climactic confrontation with the murderer, who tries to kill her, but with a somewhat different spin in each case.
Despite the star-crossed lovers who appear in most Silver mysteries, whose problems are usually resolved by Maud Silver's hard work, Wentworth actually represents a rather fuller range of relationships than she may be given credit for. Maud's niece Gladys, of course, is a perennial trial to the family, who sympathize greatly with her long-suffering husband but hope devoutly that he won't dump her back on *them*. Roger Repton's disastrous marriage has a superficial relationship to that of the Harrisons in THE GAZEBO, but Repton's personality is *much* more forceful than Jack Harrison's - he's all for throwing Scilla out of the house on the spot when he finds out about her adultery. At the other end of the social scale, the father of the Stokes family is a househusband; he uses his health as a socially respectable excuse for staying home and indulging his excellent cooking skills for his large, cheerful family. The mysterious Mr. Barton - the woman-hating recluse with 7 cats - has a *very* unusual background when you get to know him.
Published 13 years after Christie's THE MOVING FINGER, Marple's only similar case, this is a stronger book - Wentworth's characterization is far better than that of most of her more celebrated contemporaries. However, it fails to engage the reader as much as usual, since no one party is ever the focus of Maud's interest. Joyce Rodney and her son are under-utilized. Neither Valentine nor Jason is ever threatened with arrest.
All in all, enjoyable and worth reading, but not memorable.
1 of 1 people found the following review helpful.
Old fashioned cozy mystery.
By likesagoodmystery
The town has had a spate of anonymous nasty letters accusing people of untrue things or bringing their attention to others' wrong-doings. In addition, by the time the novel is over several people have died or were they murdered? Miss Silver is a older single woman who has a detective practice after being a school teacher for years. She is able to insinuate herself into the town as a paying guest at another woman's cottage. She helps her friend and previous student Frank Abbott of the Yard. She has excellent judgment regarding people and their motives. Readers can compare her to Miss Marple and be correct. There are differences, however. I enjoyed the descriptions of people and the town from the past and the slow pace of everyone's lives. There are several suspects and a romance and very British class divisions from the 1st half of the 20th century. It is a steady paced book and worth a couple afternoon's time. If you want gore and active mayhem, however, this is not for you.
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