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In the continuing redefinition of the American West, few recent writers have left a mark as indelible as Cormac McCarthy. A favorite subject of critics and fans alike despite—or perhaps because of—his avoidance of public appearances, the man is known solely through his writing. Thanks to his early work, he is most often associated with a bleak vision of humanity grounded in a belief in man's primordial aggressiveness.
McCarthy scholar Barcley Owens has written the first book to concentrate exclusively on McCarthy's acclaimed western novels: Blood Meridian, National Book Award winner All the Pretty Horses, The Crossing, and Cities of the Plain. In a thought-provoking analysis, he explores the differences between Blood Meridian and the Border Trilogy novels and shows how those differences reflect changing conditions in contemporary American culture.
Owens captures both Blood Meridian's wanton violence and the Border Trilogy's fond remembrance of the Old West. He shows how this dramatic shift from atavistic brutality to nostalgic Americana suggests that McCarthy has finally given his readers what they most want—the stuff of their mythic dreams.
Owens's study is both an incisive look at one of our most important and demanding authors and a penetrating analysis of violence and myth in American culture. Fans of McCarthy's work will find much to consider for ongoing discussions of this influential body of work.
- Sales Rank: #2230739 in Books
- Brand: Brand: University of Arizona Press
- Published on: 2000-07-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .40" w x 6.00" l, .51 pounds
- Binding: Paperback
- 137 pages
- Used Book in Good Condition
Review
"A most readable, thought-provoking analysis." —Journal of the West
"If you want to comprehend what makes All the Pretty Horses a showpiece, and McCarthy possibly the most profound voice in contemporary Western literature, some of the answers are here." —Santa Fe New Mexican
From the Inside Flap
In the continuing redefinition of the American West, few recent writers have left a mark as indelible as Cormac McCarthy. A favorite subject of critics and fans alike despite--or perhaps because of--his avoidance of public appearances, the man is known solely through his writing. Thanks to his early work, he is most often associated with a bleak vision of humanity grounded in a belief in man's primordial aggressiveness.
McCarthy scholar Barcley Owens has written the first book to concentrate exclusively on McCarthy's acclaimed western novels: "Blood Meridian," National Book Award winner "All the Pretty Horses, The Crossing, "and" Cities of the Plain." In a thought-provoking analysis, he explores the differences between Blood Meridian and the Border Trilogy novels and shows how those differences reflect changing conditions in contemporary American culture.
Owens captures both "Blood Meridian's" wanton violence and the Border Trilogy's fond remembrance of the Old West. He shows how this dramatic shift from atavistic brutality to nostalgic Americana suggests that McCarthy has finally given his readers what they most want--the stuff of their mythic dreams.
Owens's study is both an incisive look at one of our most important and demanding authors and a penetrating analysis of violence and myth in American culture. Fans of McCarthy's work will find much to consider for ongoing discussions of this influential body of work.
About the Author
Barcley Owens teaches composition and American literature at Big Bend Community College in eastern Washington.
Most helpful customer reviews
23 of 25 people found the following review helpful.
Sparkling review of an enthralling, enriching body of work.
By Richard L. Pangburn
If you're a bit puzzled by all of the cheering for Cormac McCarthy, look here. I don't agree with everything he says, but Owen packs this slim volume with plenty of eye-opening (and sometimes mind-boggling) insights.
His discussions and comparisons and references have inspired me to go back and read Jack London's short story, "To Build A Fire," with new appreciation; then led me to Stephen Crane's "The Open Boat," then to T. R. Fehrebach's THE COMANCHES, which I might otherwise have never discovered.
5 of 6 people found the following review helpful.
Literary Plus Societal Criticism
By michael bailor
The basics are here. Mr. Owens has understanding of symbols and themes, with some good structural analysis. Mr. Owens realizes that McCarthy's western novels are unique, even monumental. I read Owens' book because after reading the trilogy, I was astounded at the mastery of the work...the language, the imagery and the grasp of the Americas--the historical, the spiritual, the mythic--seen through the eyes of witnesses to horrific history. For me the only other American writer in McCormac's company is, in my opinion, not Faukner, but William Carlos Williams ("In the American Grain"). I read Owens' book because I wanted a conversation about the novels, and, ironically, there are not many people with whom I can discuss this trilogy. Not many people I know are going to like the West, and extreme violence, and cowboys, and horses, AND understand enough Spanish.
Mr. Owens is one of the legion, arisen since the sixties, of the Blame America (not the karma of the world) academics. He attempts, awkwardly, to interject sentiments of anti-imperialism into the literary criticism, where it dosn't fit. I suppose he realises this and creates an afterword which is much more honest, if not correct.
Mr Owens is pre-2001, and I wonder if at this point, we are still to blame.
Mr. Owens work is good. I was a little put off by his emphasis as I saw it.
0 of 0 people found the following review helpful.
A powerful and prophetic meditation on the meaning of McCarthy's work
By larry
An exceptionally well-written and persuasive defense of Blood Meridian against other critics' charges of nihilism and gratuitous violence. The book provides a solid overview of many critics views and then offers its own convincing interpretations situating the BM in the context of the Vietnam War and American Naturalism. For all the scholarship and history covered in these brief pages, the book manages to omit most tedious academic jargon. In a stunning and deeply ominous afterword, Mr. Owens anticipates the events of September 11th and their ultimate meaning in the context of the Blood Meridian's violent American frontier revisionism. Owens' discussion of McCarthy's move from the grotesque world of Blood Meridian to the more conventional western narratives of The Crossing and Cities of the Plain also provides and engaging and illuminating read. I would recommend this book to a seasoned McCarthy fan looking for a broad critical overview of the western novels. The book is especially engaging for fans because Owens, no doubt, is a fan himself and he comes at the novels directly without any sermons or abstraction. It's a pleasure to follow his thinking as he works through the complexity of these classic novels--particularly Blood Meridian.
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